Wall House #2

Frank Loddenkemper

Wall House #2

Frank Loddenkemper

24 July, 2026

Issue 4 - August 2026

As a photographic artist, I experience the freedom to create artistic compositions through my work. Unlike traditional photographers who focus on realistic depictions, I go beyond mere representation. My photography is an art form that breaks away from conventional rules, allowing me to express my inner visions and emotions.

In my creative process, I use digital editing to transform simple scenes or subjects into unique visions. This approach makes me independent of the camera or reality, as I can alter the elements of my image at will. Color, form, volume, light, and shadow are flexible and form the foundation of my work. Ultimately, it is all about the representation and the feeling I impart to the scene. My photography springs from my inner imagination rather than what lies in front of the lens.

Lines play a crucial role in my creations. They allow me to shape areas that define forms, and through the skillful use of light and shadow, give these forms depth. Lines structure and organize the image, guiding the viewer's gaze and evoking emotions.

This style of photography gives me the opportunity to share my personal perspective on the world. It is an art form that not only shows what is seen but also what is felt, resulting in works that touch and provoke thought in the viewer.

www.frank-l.eu

"The photographic series approaches the building by circling it completely. All sides are systematically documented and translated into a clear, minimalist visual language. Through precise perspectives and the interplay of light and shadow, the conceptual rigour of the design becomes visible – as a tension between abstract idea and built reality."

Wall House #2 in Groningen was designed by John Hejduk in 1973 and finally realized in 2004. It is the only built project from his celebrated series of three Wall Houses, a conceptual exploration of space, movement and perception.

What immediately fascinated me was its uniqueness. Hidden away in a quiet residential area, the building reveals itself only gradually. It is unlike any other piece of architecture I have experienced. The more time I spent with it, the more I realized that there is no single, definitive view. Every step around the building changes its composition, its proportions and the relationship between the wall, the volumes and the surrounding landscape.

I walked around the house several times, searching for the perspectives that best expressed Hejduk's architectural idea. Many of the final images are not the result of a single exposure but of carefully composed photographs that allowed me to refine the balance of form, light and space. The photographic process did not end on location. It took considerable time afterward to develop the images into the visual language I had envisioned.

Rather than documenting an architectural icon, my intention was to translate its concept into photography. Through reduction, precise composition and the interplay of light and shadow, I wanted to reveal the quiet tension between abstract architectural thought and built reality.

Looking back, the time and patience invested in this series were worthwhile. Wall House #2 was awarded 1st Place in the Amateur Architecture category at the Fine Art Photography Awards, a recognition that confirmed I had found the visual interpretation I had been searching for.